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It had been renamed in 1972 to focus on another revival trend, the rocker look associated with Marlon Brando.The shop would become a focal point of the punk rock scene, bringing together participants such as the future Sid Vicious, Marco Pirroni (who became a guitarist, songwriter and record producer), Gene October (who became the singer for the punk band Chelsea), and Mark Stewart, among many others.

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Matlock was replaced by Sid Vicious (real name John Ritchie) early in 1977.Under the management of Malcolm Mc Laren, a visual artist, performer, clothes designer and boutique owner, the band provoked controversies that garnered a significant amount of publicity.Their concerts repeatedly faced difficulties with organisers and local authorities, and public appearances often ended in mayhem.According to a later account by Jones, both he and Cook played instruments they had stolen.They would go to concerts, and when these were over they would go up on stage and steal as much musical equipment as they could carry.With the search going nowhere, Mc Laren made several calls to Richard Hell, who turned down the invitation. John had something special, but when he started talking he was a real arsehole—but smart." When the pub closed, the group moved on to SEX, where Lydon, who had given little thought to singing, was convinced to improvise along to Alice Cooper's "I'm Eighteen" on the shop jukebox.

In August 1975, Rhodes spotted nineteen-year-old Kings Road habitué John Lydon wearing a Pink Floyd T-shirt with the words I Hate handwritten above the band's name and holes scratched through the eyes. Though the performance drove the band members to laughter, Mc Laren convinced them to start rehearsing with Lydon.and Malcolm Mc Laren and Vivienne Westwood's Too Fast to Live, Too Young to Die.The Mc Laren–Westwood shop had opened in 1971 as Let It Rock, with a 1950s revival Teddy Boy theme.Jordan, the English model and actress noted for her work with Vivienne Westwood and the SEX boutique, was a wildly styled shop assistant who is credited with "pretty well single-handedly paving the punk look".In early 1974, Jones convinced Mc Laren to help out the Strand.In November, Mc Laren temporarily relocated to New York City.