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The first is Morrissey, whose emotional brand of Mancunian grit resonated with a sensitive kid growing up in blue-collar Essex County.

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Gethard started working on the material that would become Career Suicide in 2014.But whatever the medium, the comedian has an uncanny ability to put people — an anonymous voice on a phone line, a lonely teen seeking advice in a 24-hour TCGS chat room, Diddy — at ease.The Career Suicide set is like a cozy living room, with additional seating in the form of comfy armchairs and couches lining the stage.His high-concept stunts include having his nipples clamped by a dominatrix while his friends recite their grievances with him; hosting an “Under the Sea Gender-Fluid Poly Prom”; and surprising one audience with a bus trip to Asbury Park.Past celebrity guests on TCGS include Will Ferrell, Jon Hamm, Lena Dunham, and Sean Combs, who has his own on-set entrance, the “Diddy Door.” Gethard also hosts the podcast Beautiful/Anonymous, in which he has an hour-long conversation with whatever unnamed stranger happens to call in (as the rules have it, he can’t hang up first, and the caller can talk about anything).He’d been opening for Mike Birbiglia, who’d later cast and direct Gethard in Don’t Think Twice, his 2016 comedy-drama about an improv troupe.

The comic and storyteller insisted the grim anecdotes Gethard had told him privately were worth trying out in front of an audience. “A lot of this was rooted in my effort to prove Birbiglia wrong,” he said.A lyric from “I Know It’s Over” (“It takes strength to be gentle and kind”) is inked on the same arm. For all the invaluable insight and support she’s provided over the decade they’ve worked together, she has her eccentricities.“It wasn’t the most comfortable conversation in the world when I was like, ‘Hey, I’m writing a comedy show that some might say is about you, in certain ways,’ ” Gethard recalled. Then it went from, ‘So I’m doing it in bars’ to ‘Now I’m going to do it at a festival’ to ‘Now I’m going to do it Off-Broadway.He tackles the stigma surrounding psychiatric medications, reviews their side effects (no bodily function is off limits to his descriptive powers), and shatters the “bullshit myth” that suffering is necessary for art.“I’m significantly fucking funnier on medication,” Gethard observes onstage.Career Suicide is a painful, generous, and moving ninety minutes, which is to say nothing of how funny it is. Gethard, 36, calls himself “mild-mannered” and wears thick-rimmed glasses befitting both a superhero’s secret identity and an alt-comedy favorite.